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Pete
Bauer on Photoshop
There's No Such Thing as Resolution on the Web! And Not in Your
Digital Camera, Either!
Many
of us were raised in the business of Web design under the old rule
"Everything must be 72 dpi!" It's ingrained. Burned into
the brain. And wrong. Seventy-two dots (or pixels) per inch is not
a valid measure for today's monitors. Hey, think about it -- you've
got variable resolution, even on most portables now. When you switch
among the various screen resolutions, the "size" of objects
on the monitor changes, right? So an "inch" at 800 pixels
by 600 pixels would be different that an "inch" at 1024
x 768. Which one is the true inch? Well, it so happens that on many
17" monitors set to 800 x 600, an inch is indeed very close
to an inch.
Images
1-3 show a scan of a ruler (done at 72 dpi -- scanners DO have resolution),
all on the same 17" ViewSonic monitor. In the first, the monitor
is set to 1024 x 768 pixels, in the second to 800 x 600, and in
the third it's 640 x 480. Observe that the ruler is a different
size in each.
When
working for the Web, we can't think of a certain image as being
"this-many-inches by this-many-inches at 72 ppi." We know
that the monitors of our Web page's visitors are set to different
resolutions, so the number of inches occupied by an image will vary.
Rather, we need to think strictly in term of "this-many-pixels
by this-many-pixels." With differing resolutions, the size
of the pixels will vary from monitor to monitor, but the number
of pixels occupied by the image remains the same. Just as a Web
page should be planned in pixel dimensions, so to should the components
of that page.
Image
#4 shows the display properties of a somewhat-elderly Winbook running
Windows 95. The "Desktop Area" can be set for the current
800 x 600 pixels or 640 pixels x 480 pixels. And note that under
"Font Size" is shows 96 dpi. (Which, by the way, is also
wrong.)
[
Image
#5 is the Monitors Control Panel of Mac OS 9. In this case, the
above-mentioned ViewSonic monitor is connected, and its recommended
resolutions are visible.

Let's
take a look at Photoshop 5.5's Image Size dialog box. The box is
divided into two sections: Pixel Dimensions and Print Size. Note
that the word "Resolution" appears only under Print Size.
The image recorded on your disk and displayed on your monitor has
a certain pixel size. Resolution is merely how tightly the printer
packs those pixels.

Scanners
work backward. They take a physical object with a certain physical
size and record it as pixels. You tell the scanner how many pixels
you want recorded for each square inch of the object. Once in the
computer, the object's image is again a specified number of pixels.
If you want to output to a printer at "life size," you
simply print at the same resolution as the scanner's capture.
The
issue of pixels vs. inches is also hot in the digital camera world.
Many new owners of such devices have no prior experience with image
editing programs. They are astounded by the "size" of
the new photos. One novice recently asked me if he'd made a serious
error by purchasing a three-megapixel camera. "My printer doesn't
take paper that big!" he said. Indeed, when he opened his best-quality
images (9 MB), he was seeing an image that was over 28 inches x
21 inches at 72 dpi.
A more
common mistake is resampling. Many experienced Photoshop users are
needlessly resampling digital photos to bring them down to a suitable
print size. Such image alteration should be avoided when possible.
While Photoshop's bicubic resampling does a wonderful job, it still
isn't as clean and crisp as using the original pixels. That 28"
x 21" image noted above started life with pixel dimensions.
At 2048 x 1536 pixels, there's a lot of information with which to
work. Rather than resampling to reduce it to a printable size, simply
tell the printer to pack the pixels more tightly. Under the menu
command Image> Image Size, uncheck Resampling before changing any
dimensions. Now, rather than changing the size and resolution to
your target output dimensions, simply change the size. Photoshop
will automatically recalculate the resolution, cramming all of the
existing pixels into the space you've requested. When dropping from
28 x 21 to a more common 5 x 7 inches for output to an inkjet printer,
the new resolution is more than adequate for the job. (See Image
#7. And don't worry, the print driver will round off the fractional
resolution.)

The
image requires a bit of cropping to drop the width (which it would
require anyway as long as the proportions are constrained), but
only the original pixels will be output. By avoiding resampling,
we've can retain a photo's original sharpness.
By
thinking in terms of pixels instead of inches, we can avoid introducing
the blurring that comes with resampling. Today's digital cameras
do a pretty good job, and many of them certainly can record a huge
number of pixels. Use those original pixels whenever possible.
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